Reasonable Doubt Lyrics Jay Z
Reasonable Doubt is the debut studio album by American rapper Jay-Z.It was released on June 25, 1996, by Roc-A-Fella Records and Priority Records.The album features production provided by DJ Premier, Ski, Knobody and Clark Kent, and also includes guest appearances from Memphis Bleek, Mary J. Blige and The Notorious B.I.G., among others.The album features mafioso rap themes and gritty lyrics.
Reasonable Doubt Lyrics Jay Z
By We look back at Jay-Z's landmark debut LP, Reasonable Doubt, which turns 20 tomorrow. “If you in your car--I don’t care if it’s winter--I want you to put all your windows down.” -- Jay Z, 1999 I think about Diddy a lot.
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That’s partly because I listen to Last Train to Paris a lot. Critics were loudly and obviously wrong about that one when it came out, but we keep talking about how critics were loudly and obviously wrong about it, so it’s more or less been corrected.
You know, like It Was Written. Reasonable Doubt gets lumped in with Only Built 4 Cuban Linx and It Was Written as part of that post-G Rap mafioso wave, but it wasn’t, at least not really. Jay was too earnest, too happy. Ghost is wildly funny, but he and Rae didn’t do anything as laugh-out-loud hilarious as “22 Twos.” The It Was Written retrospectives are lying to you. It wasn’t some maligned record that we all found Jesus on 15 years after the fact. It was a hit to lots of people, an affront to the vocal minority who wanted Illmatic 2, a well executed, clumsily conceived move to those in the middle.
Nas was trying to make sure he didn’t have to rent clothes for the Source Awards again. He didn’t bother to smooth the landing. Jay didn’t have to. Reasonable Doubt opened--a week before It Was Written--to more or less zero fanfare. He wasn’t a nobody, like he might try to convince you, but it was a crowded market.
He was the “In My Lifetime” guy. He had to build a world, but he didn’t have to deconstruct (or worse, ignore) an old one. Reasonable Doubt is a genre record. It’s also an outlier. It’s from a time in Jay’s life, and in rap generally, when waiting a year for Mary to do a hook was shoring up your commercial concerns. Get Biggie on a song? Ben ten games free download. I dunno, have the producer rap whatever for the hook, we’re going to lunch.
(“Aint No” is mostly written off today--that Four Tops sample, allegedly a Dame idea, doesn’t play at all--but Foxy does say “Eating shrimp scampi with rocks larger than life,” so.). It dropped June 25, 1996, but it’s a winter album. “Can’t Knock the Hustle” isn’t for sweltering afternoons, it’s for rolling down the windows when it’s a little painful. “Politics As Usual”: “The price of leather’s got me deeper than ever/ And just think: winter’s here/ I’m trying to feel mink.” On “Can I Live,” he’s jetting to Maui and Vegas to dodge the snow, rental NXS, comped suite. Remember “I dumbed down for my audience to double my dollars/ They criticize me for it, yet they all yell ‘Holla’”?
That was good branding, like when he said “I’m talking about life, and all I hear is ‘Oh yeah, he keeps talking ‘bout crack’” on the Blueprint 3 intro. Blueprint 3 is a mostly abysmal collection of crossover attempts, but that line balances the whole thing before it starts. Jay didn’t really dumb himself down after Reasonable Doubt, he just stopped making Reasonable Doubt. A social experiment: ask people when Jay Z’s creative peak was. Some people (the first poptimists, the Timb poptimists) might say Vol.
2, but nearly half of everyone will say Reasonable Doubt, and the other near-half will say the first Blueprint. The second group will, for the most part, begrudgingly admit that Jay was rapping better on Reasonable Doubt. They’re right--partially. Those are Jay’s masterpieces; as great as he’s been, he’s never made an album that approaches either one. But if you go through his catalog step-by-step, there should be no doubt that he hit his peak as a rapper around the turn of the century, with Vol.